advise exercises with a metronome

  • scorp

    classes under the metronome and under the minus are different things.

    when you practice under the metronome, you only practice technique.

    when you practice under the minus, you also practice musicality. you don't have enough of it yet, because you're a beginner.

    when playing under the minus, try to rely on the bass part. listen to it and get with it (it's like under a metronome). gradually, with the advent of confidence, you will already begin to pay attention to guitars and other instruments. by that time, you should already stop "swimming" and start developing musicality.

    and yet - not all the cons are recorded under the metronome, so your metronome in the minus is bass and percussion (if there is one).

  • lucky83

    when practicing with the metronome, the first thing to do is to work on the sense of time.

    The technique is practiced when practicing with an elastic band, you can use it without a meter, but that's me, by the way)

  • swerus

    if you feel problems with time when playing under a minus, it means that this is the time you have not yet developed well enough.

    I advise you to switch to more interesting exercises with a metronome than just playing a bat under a click playing quarters.



    First of all, play under a weak-modeled metronome, that is, the same quarters, but on the "And", between the fractions, so that the click is like a hat in dance music.This exercise will add to your understanding and improve the skill of capturing the groove of the composition being performed.



    The second is to play under a metronome counting the 16th with an emphasis on each 4th. This exercise will help you feel the distance between the lobes better and lay the breaks more "smoothly" so as not to fly out, and also teach you not to drive and slow down the composition in principle. And when studying, do not pay attention to the movements of the body- it is crooked and not symmetrical in itself in a good way-always listen with your ears, the listener does not feel the movement of your body, he hears the sound you make, so the ability to hear your game is IMPORTANT.

  • kreker

    Yes, to be honest, this month I started to play somewhere without construction headphones purely in droplets, despite some discomfort due to the volume of the cymbals and other things, everything, of course, became better heard + the irregularities were partially corrected in time and dynamics.



    it often seems that you are punching everything) this is not always true.

  • kirill_an

    The gentlemen have described everything about the metronome above. Regarding the headphones, I advise the plugs, there you choose the ones that will not fly out. Pts recommend with behind-the-ear wearing (a la Shure), very comfortable. I can give a link to a good Chinese model, I use it myself and am satisfied.

  • 1sthast

    Hi . The guys wrote everything right about the metronome. But there is one trick in this matter. She is more of a psychological plan. Try to imagine (well, how would they switch places) that it is not the metronome that knocks you, but that you are playing with the sound of the metronome. And on this you already impose a rhythmic pattern, as if you are accompanying. If you "grasp" this, then you will greatly save time on solving this issue. And also the metronome gives a very precise tempo, and the tempo gives a very precise character to the music. Through a sense of character, you can achieve a sense of time. Good luck.

  • a_sharapko

    I switched from Vick's ezolation ears back to Epol's droplets, with which I always go, I xs how you can play in such deafening ears. I lost control very much

  • sega

    I use sennheiser ie4, everything is great. I hear both meter and guys, well, I don’t deaf)

  • kreker

    in them, in fact, the bass is too much)