How not to lose the pitch, but also the hands so that after the first song they do not turn to stone?

sega

warm up well

kreker

Take heavier sticks, practice with them on the pad. Take the first pages of the stick control and hit every note at maximum amplitude. Train at a pace of 100, raise the pace by 5 units every 5 minutes. Bring each exercise to a pace of 125-130 and you will be happy

insider

Marinkin advised me the same thing, Singer often talked about this, and Bordan (Nike Borzov, Vasya Oblomov) made me do it. After a week of classes (I spent about 1.5 hours) I began to feel better. Now I advise everyone on this topic for certain problems.

drummies

Also, to increase the feed without sacrificing speed, it is good to train on a "sandbag". You can just sit on a stool with a pair of warm sweaters and figure it out, not quickly from the beginning, of course. And be sure to warm up your fingers and hands before playing!

1sthast

Warm up and walk into the gym - to tumble normally you need good endurance and strength in any situation, and for this you need a gym.

swerus

I will summarize perhaps all that has been said) in fact, the main thing here is not to get stuck in the drum - not to play down, and short-clamped, but to play with amplitude and pick up the stick up, the blow will be strong due to whiplash, and not muscle tension, respectively, to engage in sand and large sticks with maximum amplitude, and at the same time monitor the lack of tension at any speeds) well, warm up and be in good physical shape, in addition, accentuation is important, not all strokes should be equally powerful, but the main ones, then there will be liveliness of rhythm and not be clamped you will... And you don't need to get too steamed up when playing, mental stress leads to a spasm of everything else) I've been through it myself)))

a_sharapko

I saw Denis Popov in a master class, he just talks about changing the grip from German to French and vice versa.

lucky83

By the way, it is also important to distribute muscle groups depending on the speed - little things to play with fingers, accents with brushes, rare accents and slow strokes with the whole hand, especially without wagging the brush, you can overexert yourself on very rare strokes, trying to play powerfully with brushes with a small amplitude, more than at maximum speeds, in short, the amplitude should be proportional to the tempo)))



Yes, especially when switching from ones to twos and rudiments in general, it is desirable to play combining French and German, powerful accents closer to French, and little things with your fingers in German palm down

amdm

quote from the message kreker

Take some heavier sticks and play with them on the pad. Take the first pages of the stick control and hit every note at maximum amplitude. Train at a pace of 100, raise the pace by 5 units every 5 minutes. Bring each exercise to a pace of 125-130 and you will be happy

kreker

like in a book, there seems to be 8th

amdm

oh, well, yes))) as I understand it, these exercises should be played without the use of finger technique, and shouldn't you be tempted to play them too fast?

kreker

exactly! With maximum amplitude (that's the point)