aroma
Tell me how best to tune the volumes, for the living? Live audition is planned, without accompaniment (rehearsal). I am using TuneBot. The instructions seem to say that max is better suited for live. resonance, i.e. when the top and bottom heads are adjusted the same.
pavel_drumsss
On the contrary, shorter toms are better for live. The sound engineer will pull the bottom of the problem out of them). I've tried different settings, recently experimenting with artistic ones. Now I like Jason Bittner's tuning.
sega
what does the director have to do with if the guy doesn't intend to sound them?
pavel_drumsss
I wrote it out of habit) By the way, I advise you to try the tuning with the upper heads stretched stronger than the resonator heads. The volumes will sound louder, brighter, and better cut through.
And unison, according to my observations, is best for the studio to achieve maximum volume and volume. But you still have to cut the sustain with gates or dampers. Because the toms will buzz, although they sound exactly.
aroma
also thought to tighten the upper ones, and under the "Medium" sustain. It is just indicated that in this case the attack turns out to be stronger.
5seven
I don’t know about the rest, but I like it when the attack and short sustain. For high-speed playing very good