Creative component when playing rhythmic patterns, fills and solos on drums

News. We all strive to create something new, or explore something that a person has never explored before, but at the same time, we can all experience depression. The reason for this is our mood. Perhaps you have already tried something new, and this experience seemed unsuccessful to you. However, try to disengage from these memories. There are many things in the world that you never thought could be used in any way. In this article, I'm going to help you find new features and tricks that will add interesting flavor to your drumming. you play rhythmic patterns, fill in, or solo.

Don't get hung up on the same thing.

For example, you are playing a standard drum kit, consisting of a bass drum, two mounted and one floor toms, a snare drum and three cymbals - hi-hat, crash, ride. There is nothing special about her. Most drummers play on this kit. Try adding something to your set that no one else has.

Xylophone. By adding a xylophone to your set, you will be able to diversify your solo, for example, play something in the style of Neil Peart. Surely this will be of great interest to the audience.

Guitar. Yes, it's the guitar. It doesn't have to be an expensive guitar, just a cheap instrument. The idea is to play the strings and body of the guitar with sticks. You can lay the strings with a piece of paper and you will have an additional set of sounds.

Not complicated electronics. Try to use various electronic noises, all sorts of sound signals. For example, you can use a toy weapon, or a regular bell.

Chains. I once had an old cheap plate. I tied a thin chain to it, and when I hit the cymbal, the chain made a very long sound.

Any domestic and industrial rubbish. Anything that makes any sound can be used for experimentation: coins can create metallic rain on cymbals; the fork can imitate the screech of an elephant; carpentry is generally widely used by metal drummers.

More traditional methods

Plates. Don't forget to include your cymbals in your solo part. Study the cymbals, try hitting them at different angles, with different parts of the stick and in different places to get different sounds. Some cymbals get a cowbell effect from the bell, but usually a bit more vibrant.

Pauses. Pauses add drama to the solo. Use them after a long solo game, or after a powerful solo section. After a pause, you can start playing something completely different from the previous piece of the solo.

Hi-hat. Do not forget that this is not only two cymbals, but also a pedal. Use it to its fullest. You can click the pedal, closing and opening it, you can create long hissing sounds or very short sounds using a stick. There is generally a limitless field for experiments.

In conclusion.
Try to think outside the box. Think like a percussionist, not a drummer. I hope this article will give you some direction, and maybe give you some ideas of your own.