by what principle are stacks made from plates and how?
by what principle are stacks made from plates and how?
shalom
Sorry for maybe a stupid question, on what principle are stacks made from plates and how?
solidator
June 18, 2018 AT 6:38 pm
by typing
in the example, a crash of a smaller diameter on a tea, according to the principle of a hat.
and so on.
some combination may sound funny.
5seven
June 18, 2018 AT 6:38 pm
According to the principle of listened liked / disliked!
Thin plates usually fit well in stacks! Plates with holes or, as is usually the case in Russia, cracked plates!
The most common option is an inverted china from below, and a thin crash from above, ozone crash! The same with splashes, etc.
The better the cymbals touch each other, the shorter the sound you will get! The thinner the plates, the lower the stack tone and the more sand! In practice, the walls assembled from plates of the same diameter sound best, or so that the upper plate is smaller than the lower one! Cool complement all sorts of stacks of various tambourines, on a hard or soft basis!
In general, these are experiments and that's all!
1sthast
June 18, 2018 AT 6:38 pm
It seems to me that the stack must contain either a kettle or ozone. Still, they determine the character of the sound. For example, I got a great stack of 18th and 14th tea.
alex_marchenko
June 18, 2018 AT 6:38 pm
I have meinl trash crash 16 + splash 10. It doesn't matter who is on top - it sounds cool
Ivan_drums
June 18, 2018 AT 6:39 pm
What does "necessarily china" mean??? There are absolutely any stacks, not necessarily the same types of plates. It all depends on the sound you want to get.
You can experiment endlessly, and by combinations of plates, and by their sizes, and even by their mutual position (who is lying on whom). According to the classics: splash + china, crash + china, splash + splash, china splash + white (terrane), china + china (different sizes). But there is absolutely anything in different variations.
I myself use a crash 16 with a hole for an inverted china 18 (the hole / crack in the roof, by the way, does not diverge, but makes the stack louder due to the output of the voznukha), and china 12 for an inverted splash 10. And in his youth, he used sticks from Soviet scraps that changed the sound when turning the plates among themselves and individually sounded like shit-whites. At the same time, I used it for a long time.
So go ahead!! Don't be shy, experiment and you'll find what you're looking for. Stacks are always fresh, unusual and original!!!
solidator
by typing
in the example, a crash of a smaller diameter on a tea, according to the principle of a hat.
and so on.
some combination may sound funny.
5seven
According to the principle of listened liked / disliked!
Thin plates usually fit well in stacks! Plates with holes or, as is usually the case in Russia, cracked plates!
The most common option is an inverted china from below, and a thin crash from above, ozone crash! The same with splashes, etc.
The better the cymbals touch each other, the shorter the sound you will get! The thinner the plates, the lower the stack tone and the more sand! In practice, the walls assembled from plates of the same diameter sound best, or so that the upper plate is smaller than the lower one! Cool complement all sorts of stacks of various tambourines, on a hard or soft basis!
In general, these are experiments and that's all!
1sthast
It seems to me that the stack must contain either a kettle or ozone. Still, they determine the character of the sound. For example, I got a great stack of 18th and 14th tea.
alex_marchenko
I have meinl trash crash 16 + splash 10. It doesn't matter who is on top - it sounds cool
Ivan_drums
What does "necessarily china" mean??? There are absolutely any stacks, not necessarily the same types of plates. It all depends on the sound you want to get.
You can experiment endlessly, and by combinations of plates, and by their sizes, and even by their mutual position (who is lying on whom). According to the classics: splash + china, crash + china, splash + splash, china splash + white (terrane), china + china (different sizes). But there is absolutely anything in different variations.
I myself use a crash 16 with a hole for an inverted china 18 (the hole / crack in the roof, by the way, does not diverge, but makes the stack louder due to the output of the voznukha), and china 12 for an inverted splash 10. And in his youth, he used sticks from Soviet scraps that changed the sound when turning the plates among themselves and individually sounded like shit-whites. At the same time, I used it for a long time.
So go ahead!! Don't be shy, experiment and you'll find what you're looking for. Stacks are always fresh, unusual and original!!!